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Daniel Conway has worked extensively Off-Broadway and in the regional theatre. Productions of note include: the premieres of Lily Dale, by Horton Foote at The Samuel Beckett Theatre on Theatre Row; The trilogy, New Music by Reynolds Price at The Cleveland Playhouse, directed by David Esbjornson; and the American premiere of Brecht’s Conversations in Exile at The New Theatre of Brooklyn. Regional work includes projects for The Cleveland Playhouse, Syracuse Stage, The Arden Theatre, The Berkshire Theatre Festival, and The Repertory Theatre of St. Louis. A designer of Industrial shows and museums, Mr. Conway has provided sets for McDonald’s, IBM, Kaiser Permanente, The Great Lakes Science Museum, and The American Movie Classics Channel.
Recent theatre work includes: Two Gentlemen of Verona, directed by Aaron Posner for The Folger Shakespeare Theatre; Daughter of The Regiment for The Boston Lyric Opera; The World Goes Round for The Roundhouse Theatre; Jitney and A New Brain for The Studio Theatre in Washington, D.C.; Glengarry, Glen Ross for The Delaware Theatre Company; Our Lady of 121st Street for Woolly Mammoth Theatre at the Kennedy Center; Pavilion and Ben Franklin’s Apprentice for The Arden Theatre in Philadelphia; scenery and lighting for Born Guilty and Peter and The Wolf and scenery for Passing The Love Of Women for Theatre J and The Glass Menagerie, and Uncle Vanya for The Everyman Theatre in Baltimore, where he serves as resident designer.
Upcoming projects include: Take Me Out for The Studio Theatre; Once on This Island for The Roundhouse Theatre and the premiere of Joyce Carol Oates’ The Tattooed Girl for Theatre J in Washington, D.C.
Nominated for the award seven times, Mr. Conway is the recipient of the 2000 Helen Hayes Award for Outstanding Set Design, and is the head of the M.F.A. in Design program at The University of Maryland, College Park. He is a member of The United Scenic Artists, local 829. |
